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Through these examples, my thesis examines how Hip Hop acts as orature, and broadens the definition of orality. Second, there is a group of Hip Hop songs that feature unique vocal styles that demonstrate how the artist intends to give an oral performance, even though they wrote the lyrics before performing them.

The second kind, reinterprets what the original speaker’s message was by sampling their music in a new song. The first kind features a DJ that samples words and phrases to make it appear as if they are speaking over the beat. First, there are two types of Hip Hop songs that that form an intertextual relation with other songs through sampling. I found that there were three categories of Hip Hop songs that demonstrated the link between orality and writing. I use Hip Hop to push back on Ong’s conclusions, and demonstrate how orality and writing can coexist in a culture. Hip Hop music encourages a broader definition of orality that approaches what African author Ngugi wa Thiong’o calls orature. This theorist’s conclusion draws a binary opposition between orality and writing. To begin this study, I examine a wide range of scholarship on orality, including what is considered the canonical work, Orality and Literature, by Walter Ong. This thesis examines Hip Hop as a genre of oral literature.

Life after death star ten crack commandments sample